{"id":888,"date":"2025-08-29T12:53:15","date_gmt":"2025-08-29T11:53:15","guid":{"rendered":"https:\/\/sf-a.org\/?page_id=888"},"modified":"2025-08-29T13:30:40","modified_gmt":"2025-08-29T12:30:40","slug":"speakers-guests","status":"publish","type":"page","link":"https:\/\/sf-a.org\/index.php\/speakers-guests\/","title":{"rendered":"Speakers & Guests"},"content":{"rendered":"\n

Each edition of SF(a) \u2013 Society. Film. Architecture<\/em> brings together a distinguished constellation of voices from diverse fields, reflecting the project\u2019s interdisciplinary spirit. Our invited speakers and guests include architects, artists, designers, writers, critics, historians, philosophers, curators, and educators<\/strong> from Romania and abroad, whose recognition and expertise enrich the dialogue at the intersection of cinema, architecture, and society. Their contributions\u2014ranging from lectures and guided tours to workshops, round-tables, and exhibitions\u2014expand the critical horizons of participants and audiences alike. By sharing professional insights, research, and creative practices, these guests embody the collaborative ethos of SF(a), offering perspectives that bridge disciplines and generations, while reinforcing the project\u2019s cultural and academic relevance on both a national and international level.<\/p>\n\n\n\n

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Dan Perjovschi <\/strong>lives in Bucharest and Sibiu. He creates critical and humorous drawings directly on the walls of art institutions around the world, offering political, social, and cultural commentary on the everyday realities of global society. His black-and-white drawings function as visual editorials. He has held solo exhibitions at Tate Modern London, MoMA New York, MACRO Rome, Moderna Museet Stockholm, Reykjav\u00edk Art Museum, Van Abbemuseum Eindhoven, Ludwig Museum Cologne, Kunsthalle Hamburg, Nasher Museum at Duke University, and Kiasma Helsinki. He has also participated in group exhibitions at Centre Pompidou Paris, Tate Liverpool, Castello di Rivoli Turin, SFMOMA, MUAC Mexico City, MAM Warsaw, MCBA Lausanne, and MOT Tokyo. His work has been featured in Documenta 15 and at biennials in Istanbul, Venice, S\u00e3o Paulo, Moscow, Sydney, Lyon, Dublin, Ia\u0219i, Timi\u0219oara, and Jakarta. <\/p>\n\n\n\n

Guest speaker in Season 3 & 4<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Federico Babina<\/strong>.\u00a0I am an Italian (since 1969) architect and graphic designer (since 1994) that live and work in Barcelona (since 2007), but mostly I’m a curious person (since ever). Every day I try to rediscover a way to observe the world as through the eyes of a child. Children are able to have a vision of things totally uninhibited and without the conditioning of the experience. The children’s drawings are always amazing and beautiful in their spontaneous simplicity and clarity. I like trying to explain the world I see through different techniques of expression. I like the richness of the language and the diversity of its forms. I do not want to confine me in a prison of a style or shape. Drawing and illustration are for me one of the ways to recount and photograph the thoughts, feelings and emotions. Every picture has a story and every picture is a witness of a story.\u00a0 <\/p>\n\n\n\n

Guest speaker in Season 2 (online)<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Dana Vais is a professor at the Faculty of Architecture and Urban Planning at the Technical University of Cluj-Napoca, where she teaches courses in the History of Modern and Contemporary Architecture and Dwelling. She received both her architecture diploma (1989) and her PhD (2000) from the \u201cIon Mincu\u201d Institute of Architecture in Bucharest. She is a member of DoCoMoMo as well as of the Housing group within the EAHN (European Architectural History Network). In 2022, she was a visiting researcher at the Politecnico di Milano. Her areas of interest include post-war modernism, the architectural discourse of the socialist period in Romania, socialist housing, and the futuristic imaginary of the 1960s.<\/p>\n\n\n\n

Guest speaker in Season 3<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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\u0218tefan Ghenciulescu<\/strong>, PhD, is an architect, curator and critic. He\u2019s the editor-in-chief of Zeppelin, an architecture platform and print magazine, and an assistant professor at the \u201cIon Mincu\u201d University of Architecture and Urbanism, Bucharest. He has been teaching at the TU Wien and at the National University of Arts in Bucharest. He is the author, or co-author and co-editor of 16 books and several awarded exhibitions and research projects. His main research areas are contemporary architecture and the city, historical modernity, Eastern Europe, public space and the commons, and, broadly, any crossover between architecture and human studies, activism and art. His architectural practice focuses mainly on the transformation of existing buildings, exhibition design, interventions in public space.<\/p>\n\n\n\n

Guest speaker in Season 4<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Matei Bejenaru<\/strong> is an artist and the founder of the Periferic Biennial in Ia\u0219i, Romania. Established in 1997 as a performance festival, Periferic evolved into an international, artist-run contemporary art biennial, conceived as a platform for discussions on the historical, socio-political, and cultural contexts of the city. In 2001, together with a group of artists and philosophers from Ia\u0219i, Bejenaru founded the Vector Association, a contemporary art institution that supported the local emerging art scene and contributed to its visibility both locally and internationally. In 2015, along with a group of artists and professors, he founded the Center of Contemporary Photography in Ia\u0219i. He currently teaches photography and video at the “George Enescu” National University of the Arts in Ia\u0219i.<\/p>\n\n\n\n

Guest speaker in Seasons 2 to 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Emanuela Ilie<\/strong> is a literary critic and associate professor at the Faculty of Letters, “Alexandru Ioan Cuza” University of Ia\u0219i. She has published eight books, along with numerous studies, articles, and literary reviews in both cultural and academic journals. Among her published works are: Hieroglyphs of the Poets (2008 \u2013 Debut Award from Convorbiri Literare magazine), The Critical Dictionary of Ia\u0219i Contemporary Poetry (2011 \u2013 Literary Criticism Award from the Ia\u0219i branch of the Romanian Writers\u2019 Union), Fantastic and Otherness (2013), and Bodies, Exiles, Therapies (2020 \u2013 Literary Criticism Award from the Romanian Writers\u2019 Union, Ia\u0219i, and the Award for Interdisciplinary Critical Studies from Ateneu magazine). She is a member of the Romanian Writers\u2019 Union and A.L.G.C.R.<\/p>\n\n\n\n

Guest speaker in Seasons 1 to 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Viola R\u00dcHSE<\/strong> works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna. She received her PhD with a dissertation on Siegfried Kracauer\u2019s film writings (Viola R\u00fchse, Film und Kino als Spiegel. Siegfried Kracauers Filmschriften aus Deutschland und Frankreich, Berlin\/Boston: De Gruyter 2022). Her current main themes of research in addition to film theory are photography, modern and contemporary art, and critical theory. She also works as an artist\/photographer. One of her critical essays was granted the Bazon Brock Essay Award.<\/p>\n\n\n\n

Guest speaker in Seasons 2 to 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Anca Horvath<\/strong> is researcher with the Research laboratory for Art&Technology at the Department of Communication and Psychology at Aalborg University. In her research she investigates the relationship between emerging technologies, including computational design, digital fabrication, AI and bio-technologies, and creative practice, as well as their place in broader cultural contexts. Anca has a broad experience in research-based teaching using problem-based learning at bachelor, master and PhD level, has coordinated and taught courses on: digital fabrication, computational design, interaction design, concept design and creative robotics. In 2019, she was appointed Teacher of the Year for BA Art&Technology. Anca was principal investigator in Reconsidering Otherness 1.0 and Reconsidering Otherness 2.0 (funded by the Human-Centered AI cluster at Aalborg University) – two projects aimed at exploring ways to use AI tools for text, image and point cloud generation for conceptual architecture. Her co-authored paper on architects\u2019 attitudes towards computational and AI tools for practice won the Best Paper Award at CAADRIA\u201924 (Computer-Aided Architectural Design in Asia), the largest conference on computer-aided architectural design.
Guest speaker in Seasons 2 to 4<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Dimitrios Raptis<\/strong> is associate professor at the Computer Science Department at Aalborg University where he acts as group coordinator for the Human-centered computing group, as well as the department responsible for Lifelong Learning and the education coordinator for the M.sc in Digitalisation and Application Development – a master program aimed at providing computing skills to students from humanities and social sciences backgrounds. Dimitrios has a 20-year experience in teaching courses on programming, statistics, human-computer interaction, and interaction design. He has been nominated for the Teacher of the Year award multiple times by his students. His research deals with human-computer interaction, and specifically with user experience and interaction design, including technology mediation for interacting with cultural spaces, provocative design, and interaction design for energy efficiency in domestic spaces. He has been principal investigator in Digital PBL (problem-based learning) for students with no Programming Experience and is currently principal investigator for Digitalization Activities for DAD students (funded by IT Vest). <\/p>\n\n\n\n

Guest speaker in Seasons 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Andrei Cozlac<\/strong> is a video artist and lecturer at the “George Enescu” National University of the Arts in Ia\u0219i, specializing in photography, video, and computer image processing. He is an experimentalist with a strong passion for new multimedia technologies, actively involved in independent visual projects, video mapping, and live projection performances. He has created video designs for productions directed by renowned figures such as Silviu Purc\u0103rete and Radu Afrim. For his contributions to the field of visual arts, he has received numerous distinctions and awards.<\/p>\n\n\n\n

Guest speaker in Season 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Radu Cucuteanu <\/strong>is a historian, translator, and book editor, currently working at Junimea Publishing House in Ia\u0219i. He has published numerous scholarly articles, interviews, reviews, and book critiques in both cultural and academic journals\u2014some of which he has also edited over time. He oversees the magazine Suplimentul de cultur\u0103 and is a member of the editorial boards of the Romanian Journal of Modern History and Scriptor. He enjoys laughing\u2014even when there\u2019s nothing to laugh about.<\/p>\n\n\n\n

Guest speaker in Seasons 1, 3 & 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Vlad Enculescu<\/strong> is an experienced designer and a member of UAP Romania (Union of Artists’ Associations), with a degree in Graphic Design from the “George Enescu” University of Arts in Ia\u0219i. He has been recognized for creativity and skills, receiving Special Mentions from the Allegorithmic\/Adobe team for the Meet Mat contest in 2017 and winning the Modo Contest organized by Foundry.com in 2018. His work has been showcased in solo exhibitions such as 3D 2D Unde? and vlad + A Word in Design, as well as in group exhibitions including Oaia cu Tu peux!? and 30 DESIGN UNAGE IA\u0218I. With a diverse experience, membership in UAP Romania, and innovative design abilities, he\/she brings valuable expertise to any project or team.<\/p>\n\n\n\n

Guest speaker in Season 2<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Silviu Teodor-Stanciu<\/strong> is a designer and Senior Lecturer at the Faculty of Visual Arts and Design, “George Enescu” National University of the Arts in Ia\u0219i (UNAGE). He is actively involved in the cultural scene of Ia\u0219i through a variety of artistic and design projects. Among the most notable are Ia\u0219i \u2013 The City of Painted Trams, TramArt, and Papatram and Company\u2014initiatives developed under the umbrella of the Tramclub Ia\u0219i association, which he has coordinated since 2013. In collaboration with the Ia\u0219i Public Transport Company, he laid the groundwork for the creation of the Ia\u0219i Public Transport Museum, a space dedicated to the preservation of rare vehicles that stand as true landmarks of Romanian industry and design.<\/p>\n\n\n\n

Guest speaker in Season 3 & 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

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Ramona Costea<\/strong> is an architect and a memory enthusiast, researching the discourses of Ia\u015fi and the many unfoldings of memory in architecture. She is a Teaching Assistant at the \u201cGeorge Matei Cantacuzino\u201d Faculty of Architecture, part of the \u201cGheorghe Asachi\u201d Technical University in Ia\u015fi. In 2020, she was awarded the PhD title for her thesis \u2013 The culture of memory. A method for an architectural introspection. Memory is the main focus of MEMORAT, a project she developed together with architect Tiberiu Teodor-Stanciu and geographer Cosmin Ceuc\u0103. She believes that the rational and emotional find their common grounds gracefully through architecture, offering, in return, the resorts which grant human memory the quality of an unique apparatus to measure quality in architecture.\u00a0
Guest speaker in Season 4<\/em><\/p>\n<\/div><\/div>\n\n\n\n

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Marius Revent<\/strong> is one of the most active film critics in Romania and a true cinema enthusiast. Through his cultural projects and media appearances, he brings a fresh, well-documented voice to the field of film criticism. He blends visual culture with personal reflections, and his analyses often offer unique perspectives on both mainstream and independent films. Beyond his passion for cinema, Marius has a rich background in entrepreneurship and marketing, primarily related to Advertising, HoReCa, and Romanian Retail.<\/p>\n\n\n\n

Guest speaker in Season 4<\/em><\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

At SF(a) \u2013 Society. Film. Architecture<\/em>, the dialogue never stops. Each edition is enriched by the voices of architects, artists, writers, designers, philosophers, historians, and cultural practitioners who bring their expertise and imagination to the project. Yet the platform is conceived as an open, evolving space<\/strong>, constantly seeking new perspectives and relevant voices that can expand the conversation between film, architecture, and society. We actively invite researchers, practitioners, and creative professionals from Romania and abroad to join us in future editions\u2014as speakers, mentors, or collaborators\u2014helping us cultivate a living laboratory where critical ideas, speculative imaginaries, and collective creativity meet.<\/p>\n","protected":false},"excerpt":{"rendered":"

Each edition of SF(a) \u2013 Society. Film. Architecture brings together a distinguished constellation of voices from diverse fields, reflecting the project\u2019s interdisciplinary spirit. Our invited speakers and guests include architects, artists, designers, writers, critics, historians, philosophers, curators, and educators from Romania and abroad, whose recognition and expertise enrich the dialogue at the intersection of cinema, architecture, and society. Their […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-888","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/comments?post=888"}],"version-history":[{"count":4,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/888\/revisions"}],"predecessor-version":[{"id":915,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/888\/revisions\/915"}],"wp:attachment":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/media?parent=888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}