{"id":692,"date":"2024-08-09T18:08:30","date_gmt":"2024-08-09T17:08:30","guid":{"rendered":"https:\/\/sf-a.org\/?page_id=692"},"modified":"2024-08-10T08:38:04","modified_gmt":"2024-08-10T07:38:04","slug":"sfa-season-3-cast-2","status":"publish","type":"page","link":"https:\/\/sf-a.org\/index.php\/sfa-season-3-cast-2\/","title":{"rendered":"SF(a) season 3 CAST"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-1024x1024.webp\" alt=\"\" class=\"wp-image-655\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-560x560.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST-50x50.webp 50w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_CAST.webp 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>We&#8217;re excited to introduce you the SF(a) season 3 CAST. The lectures are open to the public, you can participate even if you have not registered for the workshop.<\/p>\n\n\n\n<p><strong>SF(a) Season 3 Speakers:&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dan Perjovschi, visual artist;<\/li>\n\n\n\n<li>Dana Vais, Faculty of Architecture and Urban Planning, UTCN;<\/li>\n\n\n\n<li>Matei Bejenaru, Faculty of Visual Arts and Design, UNAGE;<\/li>\n\n\n\n<li>Anca Horvath, Research Laboratory for Art and Technology, Aalborg University, Denmark;&nbsp;<\/li>\n\n\n\n<li>Viola Ruhse, University for Continuing Education Krems, Austria;&nbsp;<\/li>\n\n\n\n<li>Emanuela Ilie, Faculty of Letters, &#8220;A.I. Cuza&#8221; University of Ia\u0219i;<\/li>\n\n\n\n<li>Silviu Teodor-Stanciu, Faculty of Visual Arts and Design, UNAGE.<\/li>\n<\/ul>\n\n\n\n<p>Laboratory tutors from the Faculty of Architecture &#8211; TUIASI:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Nely V\u00een\u0103u;<\/li>\n\n\n\n<li>Tiberiu Teodor-Stanciu;<\/li>\n\n\n\n<li>Ana Cristina Tudora;<\/li>\n\n\n\n<li>Gabriel Tudora.<\/li>\n<\/ul>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-1024x1024.webp\" alt=\"\" class=\"wp-image-615 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_6-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dan Perjovschi lives in Bucharest and Sibiu.<\/p>\n\n\n\n<p>He draws critically with humor directly on the walls of art institutions around the world commenting politically, socially and culturally on the everyday of global society. His black and white drawings are visual editorials.<\/p>\n\n\n\n<p>He has had solo exhibitions at Tate Modern London, MoMA New York, Macro Roma, Moderna Museet Stockholm, Reykyavik Art Museum, Vannabbe Eindhoven, Ludwig Cologne, Kunsthalle Hamburg, Nasher Museum Duke University or Kiasma Helsinki and group exhibitions at Center Pompidou Paris, Tate Liverpool, Castello di Rivoli Turin, MoMA San Francisco, MUAC Mexico, MAM Warsaw, MCBA Lausanne or MOT Tokyo.<\/p>\n\n\n\n<p>He participated in Documenta 15 and the Istanbul, Venice, Sao Paulo, Moscow, Sydney, Lyon, Dublin, Ia\u0219i, Timisoara and Jakarta art biennials.<\/p>\n\n\n\n<p>He received the George Maciunas prize in 2004, the ECF Princess Margriet prize, Amsterdam 2012 (with Lia Perjovschi) and in 2016 the Rosa Schapire Kunsthalle Hamburg prize.<\/p>\n\n\n\n<p>Perjovschi is the laureate of the Gheorghe Ursu Human Rights Foundation 1999 and the CERE Participation Civil Society Gala 2016.<\/p>\n\n\n\n<p>From 1990 until today, he published drawings in Revista 22, Bucharest.<\/p>\n\n\n\n<p>Since 2010, Ziarul Orizontal has been doing the art project in the public space in Sibiu.Since 2009 a drawn installation is permanently located in NTK National Technical Library Prague.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-1024x1024.webp\" alt=\"\" class=\"wp-image-610 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_1-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Dana Vais, PhD, is a professor at the Faculty of Architecture and<\/p>\n\n\n\n<p>Urban Planning of the Technical University of Cluj-Napoca, where he teaches the&nbsp;<\/p>\n\n\n\n<p>History of Modern and Contemporary Architecture and Dwelling courses. She received both the architect diploma (1989)&nbsp;&nbsp;and the PhD (2000) from the \u201cIon Mincu\u201d Institute of Architecture of Bucharest. She is a member<\/p>\n\n\n\n<p>DoCoMoMo as well as Housing group within EAHN (European<\/p>\n\n\n\n<p>Architectural History Network). Recently, he was a visiting researcher at<\/p>\n\n\n\n<p>Politecnico di Milano (2022). Her areas of interest are post-war modernism, the architectural discourse of the socialist period in Romania, socialist housing and the futuristic imaginary of the 1960s.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-1024x1024.webp\" alt=\"\" class=\"wp-image-614 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_5-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Matei Bejenaru (born 1963) is an artist and founder of Periferic Biennial in Iasi, Romania. Established in 1997 as a performance festival, Periferic transformed into an international artist-run contemporary art biennial defined as a platform for discussions on the historical, socio-political, and cultural contexts of the city. With a group of artists and philosophers from Iasi, Bejenaru founded the Vector Association in 2001, a contemporary art institution that supported the local emerging art scene to become locally and internationally visible. Together with a group of artists and professors he founded in 2015 the Center of Contemporary Photography in Iasi.&nbsp;Between 2011 and 2012 &nbsp;he was a visiting professor at&nbsp;Universit\u00e9 du Qu\u00e9bec \u00e0 Montr\u00e9al (Canada).&nbsp;&nbsp;He is teaching photography and video at &#8220;George Enescu&#8221; Arts University in Iasi.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-1024x1024.webp\" alt=\"\" class=\"wp-image-613 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_4-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Emanuela Ilie is a literary critic and associate professor at the Faculty of Letters \u201cAlexandru Ioan Cuza\u201d University of Ia\u0219i. She has published eight books and numerous studies, articles and literary chronicles in cultural and academic journals. We mention the volumes \u201cHieroglyphs of the poets\u201d (2008\u2013 Debut Award of the magazine \u201cConvorbiri Literare\u201d), \u201cThe Critical Dictionary of Ia\u0219i Contemporary Poetry\u201d (2011\u2013 The Prize for Literary Criticism of USR Ia\u0219i), \u201cFantastic and Otherness\u201d (2013) and\u201d Bodies, Exiles, Therapies\u201d (2020\u2013 The Prize for Literary Criticism of USR Ia\u0219i and Award for interdisciplinary critical studies of \u201cAteneu\u201d magazine). She is a member of the Romanian Writers\u2019 Union and A.L.G.C.R.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-1024x1024.webp\" alt=\"\" class=\"wp-image-611 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_2-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Viola R\u00dcHSE works as the head of the Center for Image Science and course director at the University for Continuing Education Krems in Austria. She studied History of Art and German Language and Literature at the universities of Hamburg and Vienna. She received her PhD with a dissertation on Siegfried Kracauer\u2019s film writings (Viola R\u00fchse, Film und Kino als Spiegel. Siegfried Kracauers Filmschriften aus Deutschland und Frankreich, Berlin\/Boston: De Gruyter 2022). Her current main themes of research in addition to film theory are photography, modern and contemporary art, and critical theory. She also works as an artist\/photographer. One of her critical essays was granted the Bazon Brock Essay Award.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-1024x1024.webp\" alt=\"\" class=\"wp-image-612 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_3-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Anca Horvath is an assistant professor with the Research Laboratory for Art and Technology at Aalborg University in Denmark. In her research, she investigates the relationships between emerging technologies, including computational design, digital fabrication, AI and bio-technologies, and creative practice, and their place in broader cultural contexts. She uses design-based research as a main methodology for inquiry and her projects have covered a broad range of scopes and scales &#8211; from jewelry to shoes, all the way to urban design. Prior to joining Aalborg University Anca has worked as an architect and computational designer in Romania&nbsp;and&nbsp;Denmark.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-1024x1024.webp\" alt=\"\" class=\"wp-image-616 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_7-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Radu Cucuteanu is a historian, translator and book editor, currently employed by the Junimea Publishing House in Ia\u0219i. He has published numerous scientific articles, interviews, chronicles and book reviews in cultural and academic journals, some of which he has edited over time. He is in charge of the magazine &#8220;Suplimentul de cultur\u0103&#8221;, he is a member of the editorial board of the magazine &#8220;Romanian Journal of Modern History&#8221; and of the magazine &#8220;Scriptor&#8221;. He likes to laugh even when there is no laughing matter.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-top\" style=\"grid-template-columns:51% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"2400\" height=\"2400\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8.webp\" alt=\"\" class=\"wp-image-617 size-full\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8.webp 2400w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/06\/SFa_3_CAST_8-50x50.webp 50w\" sizes=\"auto, (max-width: 2400px) 100vw, 2400px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Silviu Teodor-Stanciu &#8211; designer and university lecturer at the Faculty of Visual Arts and Design (UNAGE Ia\u0219i), is a person involved and active in the Ia\u0219i cultural environment through artistic and design projects. &#8220;Ia\u0219i &#8211; the city of painted trams&#8221;, &#8220;TramArt&#8221;, &#8220;Papatram and the company&#8221; are some of the most important projects carried out under the auspices of the Tramclub Ia\u0219i association, whose activity has been coordinated since 2013. In collaboration with the Ia\u0219i Public Transport Company laid the foundation for the establishment of the Ia\u0219i Public Transport Museum, where rare vehicles are preserved, real landmarks of Romanian industry and design.<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/altplusa.org\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-1024x1024.webp\" alt=\"\" class=\"wp-image-699\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-1536x1536.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-2048x2048.webp 2048w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-1200x1200.webp 1200w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-560x560.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/alta-1-50x50.webp 50w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/sf-a.org\/index.php\/sfa-events-media\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-1024x1024.webp\" alt=\"\" class=\"wp-image-646\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-560x560.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events-50x50.webp 50w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_events.webp 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/sf-a.org\/index.php\/season-3\/\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-1024x1024.webp\" alt=\"\" class=\"wp-image-663\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-560x560.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-100x100.webp 100w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i-50x50.webp 50w, https:\/\/sf-a.org\/wp-content\/uploads\/2024\/08\/SFa_3_i.webp 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;re excited to introduce you the SF(a) season 3 CAST. The lectures are open to the public, you can participate even if you have not registered for the workshop. SF(a) Season 3 Speakers:&nbsp; Laboratory tutors from the Faculty of Architecture &#8211; TUIASI: Dan Perjovschi lives in Bucharest and Sibiu. He draws critically with humor directly [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-692","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/692","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/comments?post=692"}],"version-history":[{"count":5,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/692\/revisions"}],"predecessor-version":[{"id":748,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/692\/revisions\/748"}],"wp:attachment":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/media?parent=692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}