{"id":29,"date":"2023-06-15T15:37:55","date_gmt":"2023-06-15T14:37:55","guid":{"rendered":"https:\/\/sf-a.org\/?page_id=29"},"modified":"2026-07-31T20:18:40","modified_gmt":"2026-07-31T19:18:40","slug":"team","status":"publish","type":"page","link":"https:\/\/sf-a.org\/index.php\/team\/","title":{"rendered":"Production team"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-1024x1024.webp\" alt=\"\" class=\"wp-image-1124\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-1024x1024.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-300x300.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-150x150.webp 150w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-768x768.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-640x640.webp 640w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa-50x50.webp 50w, https:\/\/sf-a.org\/wp-content\/uploads\/2026\/07\/echipa-sfa.webp 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Nely V\u00een\u0103u<\/strong>. Co-founder of the <a href=\"https:\/\/altplusa.org\">ALT+A <\/a> Association and coordinator of\u00a0<em>SF(a) \u2013 Society. Film. Architecture<\/em>, Nely V\u00een\u0103u is an architect and Teaching Assistant at the \u201cG.M. Cantacuzino\u201d Faculty of Architecture in Ia\u0219i. Her academic and cultural interests revolve around the intersections of architectural theory, dystopia, and cinematography. She is the author and co-author of several books and articles exploring the critical role of architecture in contemporary culture.<\/p>\n\n\n\n<p><strong>Tiberiu Teodor-Stanciu<\/strong>. An architect driven by optimism and a strong passion for graphic design, wayfinding, and cultural memory, Tiberiu is the founder of <a href=\"https:\/\/atelierspre.ro\">Atelier Spre<\/a> and Memorat. He has authored several books on the history of Ia\u0219i and is a Teaching Assistant at the \u201cG.M. Cantacuzino\u201d Faculty of Architecture. His work bridges historical research, visual storytelling, and design experimentation.<\/p>\n\n\n\n<p><strong>R\u0103zvan Mircea Nica<\/strong>.\u00a0An architect drawn to what a diagram can argue and what a film can expose about the city, R\u0103zvan is Associate Professor and Vice-Dean at the &#8220;G.M. Cantacuzino&#8221; Faculty of Architecture in Ia\u0219i. Within SF(a) he lectures, tutors the labs and curates the exhibitions, and he co-edited\u00a0<em>Beyond Dystopia<\/em>, the project&#8217;s collective volume. He is the founder of <a href=\"https:\/\/archsynopsis.com\">Archsynopsis<\/a>, an open archive of interpretive architectural drawings, and co-founder of ALT+A. His research addresses temporality in architecture and the imaginaries through which built space is produced.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Organisation &amp; Partnerships<\/h3>\n\n\n\n<p>Seasons 3 and 4 of&nbsp;<em>SF(a) \u2013 Society. Film. Architecture<\/em>&nbsp;were organised by the&nbsp;<strong>Romanian Order of Architects \u2013 Ia\u0219i Branch (OAR Ia\u0219i)<\/strong>&nbsp;and the&nbsp;<strong>ALT+A Association<\/strong>. <\/p>\n\n\n\n<p>Seasons 3 &amp; 4 of this project were supported by the Romanian Order of Architects, from the Architectural Stamp Duty.<\/p>\n\n\n\n<p><span style=\"caret-color: rgb(0, 0, 0); color: rgb(0, 0, 0); font-family: -webkit-standard; font-size: medium; white-space: normal;\"><strong>Production credits<\/strong><\/span><\/p>\n\n\n\n<p>Concept and coordination &#8211; Nely V\u00een\u0103u<br>Graphic design and identity &#8211; Tiberiu Teodor-Stanciu<br>Exhibitions, communication and production &#8211; R\u0103zvan Mircea Nica<br>Lectures and tutoring &#8211; Cristina Tudora<br>Logistics and tutoring &#8211; Gabriel Tudora<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" data-id=\"830\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-1024x536.webp\" alt=\"\" class=\"wp-image-830\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-1024x536.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-300x157.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-768x402.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-1536x804.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-1200x628.webp 1200w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori-560x293.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_organizatori.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"536\" data-id=\"829\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-1024x536.webp\" alt=\"\" class=\"wp-image-829\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-1024x536.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-300x157.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-768x402.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-1536x804.webp 1536w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-1200x628.webp 1200w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru-560x293.webp 560w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/04\/SFa4_timbru.webp 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>Throughout its four editions, SF(a) has collaborated with a wide network of institutional and cultural partners, including:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cG.M. Cantacuzino\u201d Faculty of Architecture, Technical University of Ia\u0219i (TUIASI)<\/li>\n\n\n\n<li>Faculty of Visual Arts and Design, \u201cGeorge Enescu\u201d National University of Arts, Ia\u0219i (UNAGE)<\/li>\n\n\n\n<li>\u201cVasile Pogor\u201d National Museum of Romanian Literature, Ia\u0219i<\/li>\n\n\n\n<li>FABLAB Ia\u0219i<\/li>\n\n\n\n<li>ASAI \u2013 Association of Architecture Students in Ia\u0219i<\/li>\n\n\n\n<li>Atelier Spre<\/li>\n\n\n\n<li>ZEPPELIN Magazine<\/li>\n\n\n\n<li>CIVICA Association<\/li>\n\n\n\n<li>CTP \u2013 Ia\u0219i Public Transport Company<\/li>\n\n\n\n<li>Colegiul de Art\u0103 \u201cOctav B\u0103ncil\u0103\u201d Ia\u0219i<\/li>\n\n\n\n<li>NegruZI&nbsp;(cultural space)<\/li>\n\n\n\n<li>ZBOR Ia\u0219i by BCR<\/li>\n\n\n\n<li>Cinema Arta, Cluj-Napoca<strong>&nbsp;<\/strong>(itinerant exhibition host).<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">The ALT+A Association<\/h3>\n\n\n\n<p>The&nbsp;<strong>ALT+A Association<\/strong>&nbsp;is a non-governmental, non-profit, independent, apolitical, and public-benefit organisation. Its mission is to promote education, research, cultural and artistic exchange, and social responsibility, with a particular focus on architecture, urban planning, and visual arts.<\/p>\n\n\n\n<p>Founded by architects&nbsp;<strong>Nely V\u00een\u0103u, Tiberiu Teodor-Stanciu, and R\u0103zvan Mircea Nica<\/strong>, ALT+A has, since 2022, been organising the&nbsp;<em>SF(a)<\/em>&nbsp;workshop and lecture series. This initiative uses science-fiction cinema as a shared reference point to question architecture and society. Each edition is structured around a cult film and its corresponding architectural paradigm:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Blade Runner (Ridley Scott, 1982) &amp; Postmodernism<\/li>\n\n\n\n<li>Metropolis (Fritz Lang, 1927) &amp; Modernism<\/li>\n\n\n\n<li>A Clockwork Orange (Stanley Kubrick, 1971) &amp; Brutalism<\/li>\n\n\n\n<li>Blade Runner 2049 (Denis Villeneuve, 2017) &amp; Hypermodernism<\/li>\n\n\n\n<li>High-Rise (Ben Wheatley, 2017) &amp; Late Modernism<\/li>\n<\/ul>\n\n\n\n<p>Through these explorations, <a href=\"https:\/\/altplusa.org\">ALT+A<\/a> and SF(a) create a cross-disciplinary platform constantly in search of\u00a0<strong>new educational alternatives in architecture and the visual arts<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nely V\u00een\u0103u. Co-founder of the ALT+A Association and coordinator of\u00a0SF(a) \u2013 Society. Film. Architecture, Nely V\u00een\u0103u is an architect and Teaching Assistant at the \u201cG.M. Cantacuzino\u201d Faculty of Architecture in Ia\u0219i. Her academic and cultural interests revolve around the intersections of architectural theory, dystopia, and cinematography. She is the author and co-author of several books [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/29","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":38,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":1132,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/29\/revisions\/1132"}],"wp:attachment":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/media?parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}