{"id":1024,"date":"2025-08-29T18:20:31","date_gmt":"2025-08-29T17:20:31","guid":{"rendered":"https:\/\/sf-a.org\/?page_id=1024"},"modified":"2025-08-29T18:22:29","modified_gmt":"2025-08-29T17:22:29","slug":"metrics","status":"publish","type":"page","link":"https:\/\/sf-a.org\/index.php\/metrics\/","title":{"rendered":"Metrics"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Participants &amp; Outcomes<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Season 1 (2022) \u2013 Blade Runner &amp; Postmodernism<\/strong><br>25 registered&nbsp;\u00b7&nbsp;18 alternative posters submitted&nbsp;\u00b7&nbsp;6 literary\/film reviews<\/li>\n\n\n\n<li><strong>Season 2 (2023) \u2013 Metropolis &amp; Modernism<\/strong><br>65 registered&nbsp;\u00b7&nbsp;35 alternative posters submitted&nbsp;\u00b7&nbsp;12 literary\/film reviews<\/li>\n\n\n\n<li><strong>Season 3 (2024) \u2013 A Clockwork Orange &amp; Brutalism<\/strong><br>123 registered&nbsp;\u00b7&nbsp;59 alternative posters submitted&nbsp;\u00b7&nbsp;19 literary\/film reviews<\/li>\n\n\n\n<li><strong>Season 4 (2025) \u2013 Blade Runner 2049 &amp; Hypermodernism<\/strong><br>177 registered&nbsp;\u00b7&nbsp;54 alternative posters submitted&nbsp;\u00b7&nbsp;11 literary\/film reviews<\/li>\n<\/ul>\n\n\n\n<p>Across its first four editions, SF(a) has registered&nbsp;<strong>over 390 students and young graduates<\/strong>&nbsp;from architecture, visual arts, design, and literature. Not all enrolled participants attended every activity or submitted work, yet the workshops collectively generated&nbsp;<strong>166 alternative posters and 48 literary\/film reviews<\/strong>. This steady growth demonstrates the project\u2019s capacity to attract a diverse academic audience and to consistently produce creative and critical outcomes that connect cinema, architecture, and society.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Participant Profile<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Season 3 (2024)<\/h4>\n\n\n\n<p>A total of&nbsp;<strong>123 registered participants<\/strong>, of which:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>91.1%<\/strong>&nbsp;came from&nbsp;<strong>Architecture<\/strong>, mainly students in Years II and III.<\/li>\n\n\n\n<li>Around&nbsp;<strong>5%<\/strong>&nbsp;were from&nbsp;<strong>Visual Arts &amp; Design<\/strong>,<\/li>\n\n\n\n<li><strong>2%<\/strong>&nbsp;from&nbsp;<strong>Literature<\/strong>,<\/li>\n\n\n\n<li>and less than&nbsp;<strong>2%<\/strong>&nbsp;from&nbsp;<strong>other fields<\/strong>&nbsp;(Electronics, Acting, Geography).<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Season 4 (2025)<\/h4>\n\n\n\n<p>A total of&nbsp;<strong>178 registered participants<\/strong>, of which:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>74.2%<\/strong>&nbsp;were students of&nbsp;<strong>Architecture<\/strong>, with the largest share in Years III and IV.<\/li>\n\n\n\n<li><strong>12.9%<\/strong>&nbsp;came from&nbsp;<strong>Visual Arts &amp; Design<\/strong>,<\/li>\n\n\n\n<li><strong>6%<\/strong>&nbsp;from&nbsp;<strong>Literature<\/strong>,<\/li>\n\n\n\n<li>and around&nbsp;<strong>7%<\/strong>&nbsp;from&nbsp;<strong>other disciplines<\/strong>&nbsp;(Law, IT, Landscape, Sociology).<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">Comparative Insight<\/h4>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Participant_Profile-1024x614.webp\" alt=\"\" class=\"wp-image-1026\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Participant_Profile-1024x614.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Participant_Profile-300x180.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Participant_Profile-768x461.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Participant_Profile.webp 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>While both editions were dominated by Architecture students,&nbsp;<strong>Season 4 was more diverse<\/strong>, attracting participants from a broader range of academic fields. This demonstrates SF(a)\u2019s growing interdisciplinarity and its ability to engage a wider cultural and educational community.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Financial Metrics<\/h3>\n\n\n\n<p>In its first two editions (2022 and 2023),&nbsp;<em>SF(a) \u2013 Society. Film. Architecture<\/em>&nbsp;was financed entirely from the organisers\u2019 own resources, covering all costs related to workshops, materials, printing and promotion. Starting with Season 3 (2024), the project secured structured institutional support. The total budget of that edition amounted to&nbsp;<strong>47,553 RON<\/strong>, of which approximately 87% came from the&nbsp;<strong>Architecture Stamp \u2013 Romanian Order of Architects<\/strong>, 10% from&nbsp;<strong>OAR Ia\u0219i<\/strong>, and 3% from the organisers through the NGO&nbsp;<strong>ALT+A<\/strong>. More than half of the expenditure was directed to honoraria, accommodation and travel for invited speakers, while the rest covered printing and exhibitions, prizes for students, and basic logistics.<\/p>\n\n\n\n<p>Season 4 (2025) confirmed this model, with a total budget of&nbsp;<strong>53,636.60 RON<\/strong>. About 83% of the funding was ensured through the&nbsp;<strong>Architecture Stamp<\/strong>, 9% through&nbsp;<strong>OAR Ia\u0219i<\/strong>, while&nbsp;<strong>ALT+A contributed 1,885.60 RON<\/strong>&nbsp;and the organisers added a further&nbsp;<strong>2,500 RON<\/strong>&nbsp;from personal funds. Around 60% of the resources were allocated to guest lecturers and interdisciplinary content, 20% to printing and exhibition design, 15% to awards and student recognition, and the remainder to logistics and promotion.<\/p>\n\n\n\n<p>Taken together, these figures demonstrate the project\u2019s steady transition from being fully self-financed to relying on a&nbsp;<strong>mixed funding model<\/strong>&nbsp;that combines institutional trust, NGO engagement, and the personal commitment of its organisers. This transparent framework highlights both the professionalism and the sustainability of SF(a) as a cultural and educational platform.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" src=\"http:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Financial_Metrics-1024x614.webp\" alt=\"\" class=\"wp-image-1025\" srcset=\"https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Financial_Metrics-1024x614.webp 1024w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Financial_Metrics-300x180.webp 300w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Financial_Metrics-768x461.webp 768w, https:\/\/sf-a.org\/wp-content\/uploads\/2025\/08\/SFa_Financial_Metrics.webp 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Season 1 (2022) \u2013&nbsp;<em>self-funded<\/em><\/h4>\n\n\n\n<p><strong>Total budget:<\/strong>&nbsp;covered entirely by the organisers\u2019 own resources.<br>All expenses for workshops, materials, and communication were supported personally by the team.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Season 2 (2023) \u2013&nbsp;<em>self-funded<\/em><\/h4>\n\n\n\n<p><strong>Total budget:<\/strong>&nbsp;covered entirely by the organisers\u2019 own resources.<br>Printing, promotion, and workshop costs were supported directly by the organisers.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Season 3 (2024) \u2013&nbsp;<em>funded by Architecture Stamp &amp; co-funding<\/em><\/h4>\n\n\n\n<p><strong>Total budget:<\/strong>&nbsp;<strong>47,553 RON<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Architecture Stamp \u2013 Romanian Order of Architects (national):<\/strong>&nbsp;41,448 RON (\u2248 87%)<\/li>\n\n\n\n<li><strong>OAR Ia\u0219i:<\/strong>&nbsp;4,605 RON (\u2248 10%)<\/li>\n\n\n\n<li><strong>ALT+A contribution:<\/strong>&nbsp;1,500 RON (\u2248 3%)<\/li>\n<\/ul>\n\n\n\n<p><strong>Expenditure details:<\/strong><br>\u2248 55% for&nbsp;<strong>accommodation &amp; travel for guest speakers<\/strong>,<strong>honoraria,<\/strong><br>\u2248 25% for&nbsp;<strong>printing, exhibitions &amp; promotion<\/strong>,<br>\u2248 15% for&nbsp;<strong>prizes and awards<\/strong>,<br>\u2248 5% for&nbsp;<strong>logistics and coordination<\/strong>.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Season 4 (2025) \u2013&nbsp;<em>funded by Architecture Stamp (Romanian Order of Architects) &amp; co-funding<\/em><\/h4>\n\n\n\n<p><strong>Total budget:<\/strong>&nbsp;<strong>53,636.60 RON<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Architecture Stamp \u2013 Romanian Order of Architects (national):<\/strong>&nbsp;44,326 RON (\u2248 83%)<\/li>\n\n\n\n<li><strong>OAR Ia\u0219i:<\/strong>&nbsp;4,925 RON (\u2248 9%)<\/li>\n\n\n\n<li><strong>ALT+A contribution (own funds):<\/strong>&nbsp;1,885.60 RON (\u2248 3.5%)<\/li>\n\n\n\n<li><strong>Organisers\u2019 own funds:<\/strong>&nbsp;2,500 RON (\u2248 4.5%)<\/li>\n<\/ul>\n\n\n\n<p><strong>Expenditure details:<\/strong><br>\u2248 60% for&nbsp;<strong>accommodation, meals &amp; transport of invited speakers<\/strong>,<strong>honoraria<\/strong>,<br>\u2248 20% for&nbsp;<strong>printing, poster production &amp; exhibition set-up<\/strong>,<br>\u2248 15% for&nbsp;<strong>awards and recognitions<\/strong>,<br>\u2248 5% for&nbsp;<strong>logistics, promotion &amp; volunteer coordination<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Participants &amp; Outcomes Across its first four editions, SF(a) has registered&nbsp;over 390 students and young graduates&nbsp;from architecture, visual arts, design, and literature. Not all enrolled participants attended every activity or submitted work, yet the workshops collectively generated&nbsp;166 alternative posters and 48 literary\/film reviews. This steady growth demonstrates the project\u2019s capacity to attract a diverse academic [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1024","page","type-page","status-publish","hentry"],"blocksy_meta":[],"_links":{"self":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/1024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/comments?post=1024"}],"version-history":[{"count":2,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/1024\/revisions"}],"predecessor-version":[{"id":1031,"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/pages\/1024\/revisions\/1031"}],"wp:attachment":[{"href":"https:\/\/sf-a.org\/index.php\/wp-json\/wp\/v2\/media?parent=1024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}